Burra was nevertheless a social creature; his friends included Anthony Powell and the choreographer Frederick Ashton as well as innumerable artists and flâneurs. He travelled widely in company, diving into both the glitter and the demi-monde of Paris, the cafés, sailor-filled dockside bars and clubs of Marseille and the dancehalls and striptease joints of Harlem, but lived and worked for most of his life at the well-appointed family home in Rye. There, as he painted, he would play the newest jazz bands from his capacious record collection. It was this mixture of circumstances and experience that resulted in some of the most distinctive art of the British 20th century. from Edward Burra’s tour of the 20th century [The New Statesman]
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