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Divorce Kings of the Caribbean – Story Bureau Skip to main content

The bizarre true story of two Alabama lawyers who got rich running a divorce mill empire—before everything went sideways

By David Wolman & Frederick Reimers May 22, 2025
 

Attorney Maurice “Red” Bell (far right) consults with an American divorce client (back to camera) in the Haitian Ministry of Justice, Port-au-Prince, 1972. (Photo courtesy of the Bell Family) 
Actress Janet Leigh, best known for roles in “Psycho” and “The Manchurian Candidate,” in Juarez, Mexico, in 1962, divorcing singer Tony Curtis. Leigh was one of dozens of celebrities—and hundreds of thousands of Americans—who traveled to Mexico to obtain 24-hour divorces. (Alamy Stock Images)
Red Bell at his office in the El Paso, Texas, Hilton, 1965. The converted hotel room offered Bell’s clients, most of whom stayed at the Hilton, convenience for their quickie divorces across the border in Juarez, Mexico. (Photo courtesy of the Bell Family)
Donald McKay’s daughter Honey would often collect her father’s divorce clients at the airport in Port-au-Prince and accompany them en route to their hotel. (Photo courtesy of Honey McKay Nye)
Red Bell and Haitian driver Speedy at the 15,000-square-foot mansion Bell and Mckay rented in the hills above Port-au-Prince. (Photo courtesy of the Bell Family)
Red and Elizabeth Bell, unknown Haitian official, and Paula and Don McKay at a party in Port-au-Prince. Date unknown. (Photo courtesy of the Bell Family) 
Red Bell with divorce clients at the El Rancho Hotel, Petion-Ville, Haiti. Date unknown. (Photo courtesy of the Bell Family) 
By the winter of 1972, the blood-plasma trade was making international headlines.
Luckner Cambronne (from left), aka the Vampire of the Caribbean, walks with Haitian President Jean Claude “Baby Doc” Duvalier and military officials in Haiti. As head of the notorious Tonton Macoute militia, Cambronne was responsible for the death or disappearance of thousands of Haitians. (Photo by Perez/ullstein bild via Getty Images)

Editors: David Wolman & Frederick Reimers
Opening illustration: Cam Floyd
Art Director: Daniel Lehrke