The UK is considering making households who only use streaming services such as Netflix and Disney pay the BBC license fee, as part of plans to modernize the way it funds the public-service broadcaster. Bloomberg: Extending the fee to streaming applications is on a menu of options being discussed by Prime Minister Keir Starmer's office, the Treasury and the Department for Culture, Media and Sport, according to people familiar with the matter who asked not to be named discussing internal government deliberations. Alternatives under discussion include allowing the British Broadcasting Corp. to use advertising, imposing a specific tax on streaming services, and asking those who listen to BBC radio to pay a fee.

The government is the early stages of examining how to overhaul the funding of Britain's public broadcaster when its current 11-year charter ends on Dec. 31, 2027. Ministers are looking to either retain and alter the current television license fee model or scrap it and instead fund the BBC through alternative models such as taxation or subscription. That's because viewing habits have changed as users gravitate toward on-demand services. [...] The license fee dates back to 1946, when consumers watched programs at the time of broadcast. It currently costs households who watch live TV or use BBC iPlayer $210.6 a year, an amount that usually rises annually with inflation. Even if they don't watch BBC programs, households are required to hold a TV license to view or stream programs live on sites including YouTube and Amazon Prime Video. However it's not needed by those who only watch on-demand, non-BBC content.

Netflix plans to expand its cloud gaming offerings to include couch co-op and party games, according to co-CEO Greg Peters. The company will also continue developing narrative games based on its IP, despite recent leadership changes and the closure of its AAA game studio. The Verge reports: In the blog post, Netflix notes that it's a "limited" beta test, so it seems like this won't be available to too many people to start. (Netflix used that same "limited" language with the initial launch in Canada and the UK.) Like with the original test, the only two games available to stream are Oxenfree from Netflix's own Night School Studio and another game titled Molehew's Mining Adventure.

If you have access to the service, you'll need to download Netflix's special controller app for your iPhone or Android device to play the game on your TV. (Netflix says the streamed games work on "select devices," including Amazon Fire TV devices, Chromecast with Google TV, Roku devices and TVs, and more.) On the web, you'll be able to play games with a mouse and keyboard.

Chinese venture capital and private equity firm HongShan, formerly part of Sequoia, said on Friday it has struck a deal to acquire a majority stake in Marshall in a deal valuing the audio equipment maker at $1.15 billion.

Streaming platform Plex has introduced public reviews and user profiles, expanding social features launched last October. Users can now comment on others' reviews and make their profiles, watchlists and viewing history searchable, with customizable privacy settings ranging from public to private. Plex Pass subscribers are additionally also gaining access to HEVC encoding for improved visual quality.

Netflix will raise prices on most U.S. and Canadian subscription tiers after adding a record 19 million subscribers in the fourth quarter of 2024, bringing its global total to 302 million users.

The standard plan without ads will increase to $17.99 from $15.49, while its premium tier rises $2 to $24.99. The ad-supported tier will cost $7.99, up $1. The streaming service's quarterly revenue topped $10 billion for the first time, jumping 16%, while operating income rose 52% to $2.3 billion. The company credited recent successes including the Mike Tyson-Jake Paul boxing match and "Squid Game" season two for the subscriber surge.

IMDb founder Col Needham is stepping down as CEO after 35 years, transitioning to executive chair. He will be succeeded by Nikki Santoro, who has served as the chief operating officer since 2021. TechCrunch reports: Santoro's appointment is significant, as she is the first woman to become the CEO and only the second person to hold the position. Needham founded IMDb in 1990 at the age of 23, steering the company into a powerhouse within the entertainment industry. After 35 years, he'll transition to a new role as executive chair.

According to Needham, Santoro's ascension is well deserved. [...] Santoro has been with the company since 2016, leading the company in expanding its database and improving its IMDbPro membership. She previously held leadership positions at Amazon, Microsoft, and The Weather Channel. "Nikki's strategic vision, deep understanding of our customers and products, and commitment to innovation have already delivered impressive business results during her tenure as COO," said Needham in a statement. "Her track record of driving growth and enhancing our products and services makes her the ideal person to guide IMDb into a new era."

The Los Angeles Times calls it "a guns-blazingly funny documentary about two out-of-work British actors who spent a chunk of their COVID-19 lockdown staging Shakespeare's masterpiece on the mean streets of Grand Theft Auto V."

Grand Theft Hamlet won SXSW's Jury Award for best documentary, and has now opened in U.S. theatres this weekend (and begun streaming on Mubi), after opening in the U.K. and Ireland. But nearly the entire film is set in Grand Theft Auto's crime-infested version of Los Angeles, the Times reports, "where even the good guys have weapons and a nihilistic streak — the vengeful Prince of Denmark fits right in." Yet when Sam Crane, a.k.a. @Hamlet_thedane, launches into one of the Bard's monologues, he's often murdered by a fellow player within minutes. Everyone's a critic.

Crane co-directed the movie with his wife, Pinny Grylls, a first-time gamer who functions as the film's camera of sorts. What her character sees, where she chooses to stand and look, makes up much of the film, although the editing team does phenomenal work splicing in other characters' points of view. (We're never outside of the game until the last 30 seconds; only then do we see anyone's real face....) The Bard's story is only half the point. Really, this is a classic let's-put-on-a-pixilated-show tale about the need to create beauty in the world — even this violent world — especially when stage productions in England have shuttered, forcing Crane, a husband and father, and Mark Oosterveen, single and lonely, to kill time speeding around the digital desert...

To our surprise (and theirs), the play's tussles with depression and anguish and inertia become increasingly resonant as the production and the pandemic limps toward their conclusions. When Crane and Oosterveen's "Grand Theft Auto" avatars hop into a van with an anonymous gamer and ask this online stranger for his thoughts on Hamlet's suicidal soliloquy, the man, a real-life delivery driver stuck at home with a broken leg, admits, "I don't think I'm in the right place to be replying to this right now...."
In 2014 Hamlet was also staged in Guild Wars 2, the article points out. "This is, however, the first attempt I'm aware of that attempts to do the whole thing live in one go, no matter if one of the virtual actors falls to their doom from a blimp.

"As Grylls says, 'You can't stop production just because somebody dies.'"

David Lynch, a four-time Oscar-nominated filmmaker known for the 1984 sci-fi epic Dune and the Showtime drama Twin Peaks, has died. "In January 2025, Lynch evacuated his Los Angeles home due to the Southern California wildfires," writes longtime Slashdot reader Z00L00K. "According to Deadline, these events preceded a terminal decline in his health, and on January 16, 2025, Lynch's family announced that he had died at the age of 78." Deadline reports: Lynch had been diagnosed with emphysema. Sources told Deadline that he was forced to relocate from his house due to the Sunset Fire and then took a turn for the worse. In an interview with Sight & Sound magazine last year, Lynch revealed that due to Covid fears and his emphysema diagnosis, he could no longer could leave the house, which meant if he directed again, it would be remote. He then followed up the interview with a post on social that he "will never retire" despite his physical challenges.

An anonymous reader quotes a report from 404 Media: Mikey Shulman, the CEO and founder of the AI music generator company Suno AI, thinks people don't enjoy making music. "We didn't just want to build a company that makes the current crop of creators 10 percent faster or makes it 10 percent easier to make music. If you want to impact the way a billion people experience music you have to build something for a billion people," Shulman said on the 20VC podcast. "And so that is first and foremost giving everybody the joys of creating music and this is a huge departure from how it is now. It's not really enjoyable to make music now [...] It takes a lot of time, it takes a lot of practice, you need to get really good at an instrument or really good at a piece of production software. I think the majority of people don't enjoy the majority of the time they spend making music."

Suno AI works like other popular generative AI tools, allowing users to generate music by writing text prompts describing the kind of music they want to hear. Also like many other generative AI tools, Suno was trained on heaps of copyrighted music it fed into its training dataset without consent, a practice Suno is currently being sued for by the recording industry. In the interview, Shulman says he's disappointed that the recording industry is suing his company because he believes Suno and other similar AI music generators will ultimately allow more people to make and enjoy music, which will only grow the audience and industry, benefiting everyone. That may end up being true, and could be compared to the history of electronic music, digital production tools, or any other technology that allowed more people to make more music.

"Nuclear you can trust," reads the web page promoting "The Egg, an at home nuclear reactor."

Yes, Enron.com is now announcing "a micro-nuclear reactor made to power your home." (A quick reminder from CNN in December. "A company that makes T-shirts bought the Enron trademark and appears to be trying to sell some merch on behalf of the guy behind the satirical conspiracy theory "Birds Aren't Real....")

Does that explain how we got a product reveal for "the world's first micro-nuclear reactor for residential suburban use"? (Made possible "by the Enron mining division, which has been sourcing the proprietary Enronium ore...") Enron's new 28-year-old CEO Connor Gaydos insists they're "making the world a better place, one egg at a time."

The Houston Chronicle delves into the details: Supposedly a micro-nuclear reactor capable of powering a home for up to 10 years, the Enron Egg would be a significant leap forward for both energy technology and humanity's understanding of nuclear physics — if, of course, such a thing were actually feasible. "With our current understanding of physics, this will never be possible," said Derek Haas, an associate professor and nuclear and radiation engineering researcher at the University of Texas at Austin. "We can make a nuclear reactor go critical at about the size of the egg that I saw on the pictures. But we can't capture that energy and turn it into useful electric heat, and shield the radiation that comes off of the reactor." [Haas adds later that nuclear reactors require federal licenses to operate, which take two to nine years to procure and "typically require several hundred pages of documentation to be allowed to build it, and then another thousand pages of safety documents to be allowed to turn it on."]

The outlandish claims Enron has made in the weeks since its brand revival have left many to speculate that the move is part of some large-scale joke similar to Birds Aren't Real — a gag conspiracy movement that Connor Gaydos, Enron's 28-year-old CEO, published a book on alongside co-author and movement founder Peter McIndoe. In an exclusive interview with the Houston Chronicle, Gaydos asked that people look past the limitations — be they in the form of regulations or physics — and embrace the impossible....

Several since-deleted blurbs — both on the company's website and on social media — have alluded to Enron potentially expanding into the world of cryptocurrency. Gaydos said he hasn't ruled it out, but the company currently does not have any plans in the works to debut an Enron-themed coin. "I think in a lot of ways, everything feels like a crypto scam now, but thankfully, we are a completely real company," Gaydos said.
When announcing the Egg, Gaydos stressed Enron was now revolutionizing not just the power industry, but also two others — the freedom industry, and the independence industry. And Gaydos reminded his audience that their home micro-nuclear was "safe for the whole family."

"Preorder now," adds the Egg's web page at Enron.com. "Sign up for our email newsletter and be the first to know when we launch..."

ESPN, Fox, and Warner Bros. Discovery announced today that it will not launch the Venu live sports streaming service. "After careful consideration, we have collectively agreed to discontinue the Venu Sports joint venture and not launch the streaming service," the companies said in a joint statement. "In an ever-changing marketplace, we determined that it was best to meet the evolving demands of sports fans by focusing on existing products and distribution channels. We are proud of the work that has been done on Venu to date and grateful to the Venu staff, whom we will support through this transition period." The Verge reports: ESPN, Fox, and Warner Bros. Discovery first announced Venu last year, and it was supposed to launch in the fall of 2024. The service would've given viewers access to a swath of live games from the NFL, NBA, NHL, NCAA, and more from several linear channels, including ESPN, ABC, Fox, Fox Sports 1, Fox Sports 2, TNT, and others.

But then Venu hit a legal roadblock: an antitrust lawsuit from the live TV streaming service Fubo, accusing the trio of engaging in "a years-long campaign to block Fubo's innovative sports-first streaming business" due to restrictive sports licensing agreements. Lawmakers also asked regulators to investigate Venu and its potential to become a monopoly in televised sports.

Former MoviePass CEO Theodore Farnsworth has pleaded guilty to securities fraud and conspiracy charges for misleading investors about the movie subscription service's "unlimited plan" and its parent company's capabilities, U.S. prosecutors said.

Farnsworth falsely claimed the $9.95 monthly unlimited movie plan was sustainable and that Helios & Matheson Analytics could monetize subscriber data through artificial intelligence, knowing both statements were untrue. He faces up to 20 years in prison for MoviePass-related fraud and five years for a separate conspiracy charge involving Vinco Ventures.

The Walt Disney Co. will merge its streaming multichannel video service Hulu with Live TV with its competitor Fubo in a surprise deal that will shake up the streaming TV business, the companies said Monday. From a report: The new company will continue to be traded publicly under the Fubo name, however Disney will control 70% and appoint a majority of the board. Fubo management, including co-founder and CEO David Gandler, will run the combined venture.

The deal will do a couple of big things if and when it is completed: For starters, it will create a much bigger player in the virtual multichannel video provider (vMVPD) space, one that can more aggressively take on the market leader YouTube TV. YouTube TV said a year ago that it had 8 million subscribers, while Hulu + Live TV had 4.6 million subscribers and Fubo had 1.6 million subscribers, giving a combined offering 6.2 million subs.

In 2024, Americans spent 23% less on streaming subscriptions compared to 2023, driven by rising costs, streaming fatigue, and increased password-sharing restrictions. The findings have been reported in Review's annual State of Consumer Media Spending Report. TechSpot reports: Of those surveyed, 27.8 percent said they are experiencing streaming fatigue - or the feeling of being overwhelmed by the growing number of streaming apps on the market. And with the cost of goods and services at an all-time high, it's hitting folks in the wallet as well. The report additionally found that the average American has two streaming subscriptions, and watches three hours and 49 minutes of content each day. More than a quarter of subscribers - 26.5 percent - share subscriptions with others to save on cost although with recent crackdowns on password sharing, that might not be an option for much longer.

As such, Reviews recommends downsizing the number of subscriptions you pay for each month or spending more time using free services if you're looking to cut down on costs in the New Year. For example, you could stagger subscriptions by signing up for a service temporarily to watch a specific show or movie and canceling when you are finished. It's also wise to keep an eye out for free trials, discounts, and limited-time streaming deals like those occasionally offered from Internet and mobile providers.

Samsung and Google are introducing Eclipsa Audio, an open-source 3D audio standard set to debut on select YouTube videos and Samsung's 2025 TVs and soundbars. The new format "could eventually serve as a free alternative to Dolby Atmos, the dominant 3D audio format that hardware makers like Samsung pay to license for TVs and other equipment," reports The Verge. "Samsung says that similar to Atmos, this audio format supports adjusting 'audio data such as the location and intensity of sounds, along with spatial reflections' to create a 3D experience." From the report: The two companies first announced a partnership to develop spatial audio technology in 2023, initially calling it Immersive Audio Model and Formats (IAMF). At the time, Samsung spatial audio head WooHyun Nam said the format would provide "a complete open-source framework for 3D audio, from creation to delivery and playback."

The IAMF spec has also been adopted by the Alliance for Open Media, a group that has been pushing for royalty-free codec support since 2015 and counts companies like Amazon, Apple, Microsoft, and Netflix -- along with Samsung and Google -- among its members. If they also add support for this audio format, it could help it catch on, although it's already taken years for their AV1 video codec to see more use. Samsung and Google are also creating a certification program with the Telecommunications Technology Association "to ensure consistent audio quality" across devices using the format, which also sounds similar to the way companies like Dolby and THX manage the labeling for their specs.