Netflix calls it "a live-action reimagining of the acclaimed Nickelodeon animated series, Avatar: The Last Airbender. And this weekend Netflix shared a blooper reel from their live-action show's first season, reports Engadget, "giving fans a look at some cute behind the scenes antics while they wait for the next season." The first season was released a year ago, and Netflix announced shortly after that the show had been renewed for two more [with the third season being its last]. There's no release date yet for the new episodes, but the streaming service said on Saturday that production for the second season is underway.
"Just as the animated series matured and progressed, the live-action will also take these characters and worlds and grow them," executive producers Christine Boylan and Jabbar Raisani said in Netflix's announcement.

And speaking of Nickeloden's 2005 animated series, "The mythology and adventure of Avatar: The Last Airbender will continue," writes Deadline, "with Avatar: Seven Havens, a new 26-episode, 2D-animated series ordered by Nickelodeon, from original series creators Michael DiMartino and Bryan Konietzko and Avatar Studios....

"The duo also was originally involved in Netflix's live-action series adaptation but left in 2020 due to creative differences." Avatar: Seven Havens is set in a world shattered by a devastating cataclysm. A young Earthbender discovers she's the new Avatar after Korra — but in this dangerous era, that title marks her as humanity's destroyer, not its savior. Hunted by both human and spirit enemies, she and her long-lost twin must uncover their mysterious origins and save the Seven Havens before civilization's last strongholds collapse...

"When we created the original series, we never imagined we'd still be expanding the world decades later," said DiMartino and Konietzko....

Previously announced, Paramount Pictures and Nickelodeon Movies' Untitled Animated Aang Avatar film debuts only in theaters on January 30, 2026, featuring a voice cast that includes Dave Bautista, Dionne Quan, Jessica Matten, Román Zaragoza and introducing Eric Nam.

Deadline reports: It's taking around $1 billion to have 007 stewards Barbara Broccoli and Michael G. Wilson cede creative oversight of their family's storied James Bond franchise to Amazon MGM Studios, sources tell us. Amazon originally overpaid on its purchase of MGM in a deal orchestrated by then-MGM board chair Kevin Ulrich. Though valued between $3.5 billion-$4 billion, the legendary motion picture studio was absorbed by the streamer for $8.5 billion, the hefty sum propped up by the potential access of the 007 franchise. However, Amazon couldn't fully freely develop Bond with Broccoli and Wilson in the mix. Hence, it took another $1 billion to ensure that they could fully steer and exploit the Ian Fleming IP.
The article suggests Broccoli's long hold-out came from "Amazon's desire to expand the James Bond franchise into its own universe akin to Marvel or Star Wars." In the past, filmmakers including Quentin Tarantino and Christopher Nolan have expressed an interest in putting their stamp on Bond; both however, required complete creative control, which wasn't possible under the reign of Broccoli and Wilson. Now, with the producers on the side, Amazon can move forward to attract a top-tier director.

Also available to come to life in the new deal finally are a slew of Bond villains and women in their own series or features. The last time an attempt was made to spin off the Bond franchise was in 2003 with a stand-alone movie about the spy's girlfriend Jinx, played by Halle Berry in Die Another Day. Bond scribes Neal Purvis and Rob Wade were attached to pen that, with Stephen Frears circling, but Broccoli and Wilson put the kibosh to the idea due to creative differences.
In a related note, the article adds that Amazon "is looking to have an international theatrical distribution arm fully operational by some time in 2026."

Jeff Bezos asked his followers on X.com who should play James Bond in the next movie, reports IGN, "and the answer was loud and clear." On X.com the "clear fan favorite" was DC Extended Universe actor Henry Cavill. (Besides playing Superman, Cavill also appeared in the 2024 film spy action-comedy Argyle, and fought Tom Cruise's character in 2018's Mission Impossible: Fallout — and played Geralt of Rivia in the Netflix series The Witcher.)

An anonymous reader quotes a report from Reuters: The chief executive of streaming giant Netflix on Thursday announced a $1 billion investment to produce some 20 films and TV series in Mexico annually over the next four years. Speaking at President Claudia Sheinbaum's morning press conference in Mexico City, Netflix CEO Ted Sarandos said he looked forward to entering more partnerships with producers in the Latin American nation. Sheinbaum said the investments in the film industry should produce many jobs beyond immediate production needs, such as hospitality for actors and crew members, fashion designers and also spur tourism. "It's an industry that gives a lot of mileage to the economy," Sheinbaum said. "It's not only important for Mexico to be seen in the world, but also because of the economic development and jobs generated by a production."

Netflix content briefly appeared in the Apple TV app due to an unintentional glitch, sparking excitement among users before the company swiftly rolled back the integration. Engadget reports: A Netflix spokesperson told The Verge on Friday that the Apple TV app integration was an error that has been rolled back. Indeed, Redditors who had been tracking the forbidden fruit with unbridled glee confirmed that all signs of Netflix content had since vanished from Apple's streaming hub. Netflix giveth, and Netflix taketh away.

While the boo-boo was still active, PC World reported it let you add Netflix originals like Stranger Things, Cobra Kai and The Crown but lacked licensed shows and movies. Even the available content was a buggy mess. For example, only season five of The Crown was available, leaving you to wonder what hijinks Liz and the gang had gotten into before or after the grunge era. The "Add to Watchlist" and "Continue Watching" features were also said to be spotty.

Apple has released an official Apple TV app for Android phones and tablets that's now available in the Google Play Store. You can download it here. 9to5Google reports: The newest Apple app on Android has a bottom bar with Apple TV+, MLS (Major League Soccer), Downloads for offline viewing, and Search. [...] The video player takes after Apple TV on other platforms, with a portrait mode available. There are convenient shortcuts to activate picture-in-picture, which works inside the app (while browsing) and system-wide, and mute to bring up the system volume bar. Playback is smooth and more stable than other streaming services.

At launch, the Apple TV app lacks Casting support and there do not appear to be new episode notifications. If you're already signed into Apple Music, you have to log in again to Apple TV. Another notable aspect is support for Google Play Billing instead of requiring out-of-app sign-up on another device. This applies to both the Google TV app (and Apple Music) today.

In August 1990, two hikers in Scotland captured photographs of a mysterious diamond-shaped aircraft accompanied by a Harrier jet, but the images and story were suppressed by the Ministry of Defence (MoD) for decades. Was it a prank, a hoax, an optical illusion or something else entirely? The Guardian's Daniel Lavelle reports on "what really happened in Calvine." Here's an excerpt: On a misty evening in August 1990, two men hiking on the moors surrounding Calvine, a pretty hamlet in Perth and Kinross, claimed to have seen a giant diamond-shaped aircraft flying above them. It apparently had no clear means of propulsion and left no smoke plume; it was silent and static, as if frozen in time. Terrified, they hit the ground and scrambled for cover behind a tree. Then a Harrier fighter jet roared into view, circling the diamond as if sizing it up for a scuffle. One of the men snapped a series of photographs just before the bizarre craft shot away vertically and disappeared.

Craig Lindsay was a press officer at the RAF base in Pitreavie Castle in Dunfermline, 50 miles away, when the Daily Record got in touch a few days later. The hikers, who worked as chefs at Fisher's Hotel in Pitlochry, had sent six photos of the diamond to the newspaper and told their story. The Record's picture editor, Andy Allen, sent Lindsay the best of the bunch. Lindsay had never seen such a clear photograph of a supposed UFO, so he forwarded the picture to the Ministry of Defence (MoD), which told him to ask the Record to send the other five photographs and their negatives. The MoD also instructed him to phone the hikers, which he did. One of them told Lindsay the whole story: the diamond, the jet, how it levitated eerily with no sound and accelerated with no obvious propellant. The MoD told Lindsay to leave the case with them. He pushed the diamond to the back of his mind.

That autumn, Lindsay attended a routine meeting in London. On his lunch break, he went for a wander around the MoD's offices and saw something familiar. "There, on the wall in front of me, was a great big poster-size print of the best of them [the photographs]. So, I spoke to the guys that were there and I asked them what their other photographs were like." The ministry's staff placed the other photographs on a windowsill. The snaps showed the Harrier jet moving from the right side of the frame to the left, while the diamond didn't move an inch. He quizzed some of the specialists who had investigated the photos. They told him there was no evidence of a hoax, but they didn't know what the diamond was. "I gradually forgot all about the thing," says Lindsay. "Nothing had appeared from the first inquiry ... I assumed that everything had just been forgotten." The Record didn't run the story, the hikers never spoke publicly about the photos and the images weren't seen by the public for 32 years. "It is the 35th anniversary of what has been described as the best UFO photo ever taken. Now is the time to come forward and tell us what really happened," says Prof David Clarke, a lecturer at Sheffield Hallam University who worked as a reporter in the 1990s.

Chinese animated film Ne Zha 2 has broken multiple box office records, becoming China's highest-grossing film of all time and the first non-Hollywood movie to surpass $1 billion in a single market. From a report: Helmed by Yang Yu, known as Jiaozi, the film hit the big screen during the lucrative Chinese New Year frame on Jan. 29, surpassing 2017's "Wolf Warrior 2" to become China's most-watched film. Meanwhile, its total revenue (including presales) hit 8 billion yuan (about 1.12 billion U.S. dollars) by Sunday. In just eight days and five hours after its release, "Ne Zha 2" became China's highest-grossing film of all time on Thursday, exceeding the 5.77 billion yuan record set by "The Battle at Lake Changjin." A day later, it overtook "Star Wars: The Force Awakens" to become the highest-grossing film ever in a single market, reaching over 6.79 billion yuan (including presales) in China on Friday.

A follow-up to the animated sensation "Ne Zha," which grossed 5 billion yuan and topped the country's box office charts in 2019, the sequel has captivated audiences with its breathtaking visuals, rich storytelling and deep cultural resonance. The record-breaking run makes "Ne Zha 2" not just a box office titan but a cultural phenomenon, further underscoring China's ability to produce homegrown blockbusters that strike a chord with domestic audiences. You can watch the international trailer on YouTube.

If there was any doubt before, this seals it: YouTube is in the TV business. According to Neal Mohan, YouTube's CEO, TV screens have officially overtaken mobile as the "primary device for YouTube viewing in the U.S." In other words, more people are watching YouTube on TV sets than any other device, at least here in the U.S. From a report: It is, as Mohan writes in his annual letter from the CEO, an indication that "YouTube is the new television."

"But the 'new' television doesn't look like the 'old' television," Mohan writes. "It's interactive and includes things like Shorts (yes, people watch them on TVs), podcasts, and live streams, right alongside the sports, sitcoms and talk shows people already love."

Connecticut's highest-ranking state legislator has proposed a bill requiring movie theaters to disclose both preview and feature film start times, setting up a clash with theater operators who say the measure threatens their advertising revenue.

Senate President Pro Tempore Martin Looney's proposal aims to prevent moviegoers from sitting through up to 30 minutes of advertisements and trailers before features begin. The Democrat cited complaints from constituents about lengthy pre-show delays. Theater owners are pushing back, local outlet RegisterCitizen reports, with Avon Theatre's executive director Peter Gistelinck warning the measure could undermine their financial stability.

To celebrate 2025's newest arrivals in the public domain, the Internet Archive held a special in-person event at their San Francisco headquarters, as well as a virtual celebration online. (It opens with an absolutely gorgeous rendition of "Happy Days are Hear Again" played on a musical saw.)

And somewhere in the festivities they announced the winners of this year's annual "Public Domain Day Film Remix Contest." These remarkable films not only reimagined and transformed public domain works but also demonstrated the boundless potential of remixing creative works to create something new... Explore all 140+ submissions at the 2025 Public Domain Day Film Remix Contest collection at the Internet Archive...

"The jury was deeply impressed by Queline Meadows's inspired mix of movies, images, music and text woven into a subtle and emotionally affecting video expressing a strong sense of nostalgia and the irretrievable passage of time," said film archivist Rick Prelinger... Filmmaker Samantha Close expresses both the breadth of 1929's production and the eternal bounty of the public domain, using images from 1929's films and public domain images from elsewhere and elsewhen.
One honorable mention entry was described as "an audacious and yes, dopey exploration of the essential greatness of Internet Archive and the dread near-infinity of copyright."

A passenger on the French rail network SNCF has revealed that he received a $155 fine for using his phone on loud speaker within a train station. From a report: The passenger, named only as David, told French TV channel BFM that he was on the phone to his sister while waiting at Nantes station when the SNCF staff member told him to switch his phone's loud speaker off, or risk being fined. When he argued, he was served with the $155 fine, which has been increased to $207 because he did not pay it immediately. Further reading: Flying Was Already the Worst. Then America Stopped Using Headphones.

Warner Bros. Discovery has quietly begun releasing dozens of its older films for free on YouTube, marking an unexpected shift in how the major studio handles its back catalog. Over the past month, the company has uploaded more than 30 full-length movies across five YouTube channels, without digital rights management or regional restrictions.

The collection includes both critically acclaimed films like "Waiting for Guffman" and "Michael Collins," as well as commercial disappointments like the 2002 Eddie Murphy film "The Adventures of Pluto Nash." Some releases have significant historical value, such as "Oh, God!" - a 1977 George Burns comedy that earned $51 million at release (equivalent to $265 million in 2024). This move represents a departure from traditional studio practices of protecting content through strict digital rights management and paid streaming services. Warner Bros. owns multiple distribution channels, including the Max streaming service and Turner Classic Movies, which makes the decision to release these films freely on YouTube particularly notable.

Disney+ lost 700,000 subscribers in the last quarter of 2024, largely due to price hikes and expiring promotions. Despite the decline, Disney's overall streaming business remained profitable, boosted by strong box office results from Moana 2 and Hulu's 1.6 million added subscribers. IndieWire reports: Not counting Disney+ Hotstar, the cheap Disney+ service in India, Disney+ now has 124.6 million subs. ESPN+ also lost 700,000 subs in the period. Hulu was the streaming highlight, adding 1.6 million subscribers; it now has 53.6 million. All told, the company's streaming business was profitable for its third-straight quarter. So it wasn't all bad -- or unexpected. "Our results this quarter demonstrate Disney's creative and financial strength as we advanced the strategic initiatives set in motion over the past two years," said Disney CEO Bob Iger. "In fiscal Q1 we saw outstanding box office performance from our studios, which had the top three movies of 2024; we further improved the profitability of our Entertainment DTC streaming businesses; we took an important step to advance ESPN's digital strategy by adding an ESPN tile on Disney+; and our Experiences segment demonstrated its enduring appeal as we continue investing strategically across the globe. Overall, this quarter proved to be a strong start to the fiscal year, and we remain confident in our strategy for continued growth."

The UK is considering making households who only use streaming services such as Netflix and Disney pay the BBC license fee, as part of plans to modernize the way it funds the public-service broadcaster. Bloomberg: Extending the fee to streaming applications is on a menu of options being discussed by Prime Minister Keir Starmer's office, the Treasury and the Department for Culture, Media and Sport, according to people familiar with the matter who asked not to be named discussing internal government deliberations. Alternatives under discussion include allowing the British Broadcasting Corp. to use advertising, imposing a specific tax on streaming services, and asking those who listen to BBC radio to pay a fee.

The government is the early stages of examining how to overhaul the funding of Britain's public broadcaster when its current 11-year charter ends on Dec. 31, 2027. Ministers are looking to either retain and alter the current television license fee model or scrap it and instead fund the BBC through alternative models such as taxation or subscription. That's because viewing habits have changed as users gravitate toward on-demand services. [...] The license fee dates back to 1946, when consumers watched programs at the time of broadcast. It currently costs households who watch live TV or use BBC iPlayer $210.6 a year, an amount that usually rises annually with inflation. Even if they don't watch BBC programs, households are required to hold a TV license to view or stream programs live on sites including YouTube and Amazon Prime Video. However it's not needed by those who only watch on-demand, non-BBC content.

Netflix plans to expand its cloud gaming offerings to include couch co-op and party games, according to co-CEO Greg Peters. The company will also continue developing narrative games based on its IP, despite recent leadership changes and the closure of its AAA game studio. The Verge reports: In the blog post, Netflix notes that it's a "limited" beta test, so it seems like this won't be available to too many people to start. (Netflix used that same "limited" language with the initial launch in Canada and the UK.) Like with the original test, the only two games available to stream are Oxenfree from Netflix's own Night School Studio and another game titled Molehew's Mining Adventure.

If you have access to the service, you'll need to download Netflix's special controller app for your iPhone or Android device to play the game on your TV. (Netflix says the streamed games work on "select devices," including Amazon Fire TV devices, Chromecast with Google TV, Roku devices and TVs, and more.) On the web, you'll be able to play games with a mouse and keyboard.